Excerpts from Misc. 20th Century Artists

January 10, 2000

This section is an aggregate of modern artists’ quotes that I found particularly interesting or revealing. Artists include:
Albers, Joseph
Chagall, Marc
Close, Chuck
Giacometti, Alberto
Hodges, Jim
Kline, Franz
Schnabel, Julian
Shahn, Ben
Soulages, Pierre
Josef Albers, (1888 – 1976)
Interviewed by Katherine Kuh in The Artist’s Voice, 1960
“Q: Why are interrelationships of color so important to you? Why are they more important than interrelationships [...]

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James Abbott McNeill Whistler (1834 – 1903) Quotes

January 10, 2000

Excerpts from Whistler’s Ten O’Clock Lecture, February 20, 1835, London (source: The Gentle Art of Making Enemies)
“If familiarity can breed contempt, certainly Art–or what is currently taken for it–has been brought to its lowest stage of intimacy.
The people have been harassed with Art in every guise, and vexed with many methods as to its endurance. [...]

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Vincent Van Gogh (1853 – 1890) Quotes

January 10, 2000

Précis
Vincent Van Gogh was born in Groot-Zundert, Netherlands, son of a small town preacher. He began his working life employed by Groupil & Cie, an international art dealer, but then left to consider a career with the church as his religious zeal grew. In 1879, having grown disenchanted with both formal religious education and the [...]

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John Sloan (1871 – 1951) Quotes

January 10, 2000

Précis
John Sloan was born in Lock-Haven, PA. His father was an unsuccessful businessman and his mother a schoolteacher from a well-off Philadelphia merchant family. At a young age, Sloan became adept at drawing and etching and at twenty went to work as a newspaper illustrator for the Philadelphia Inquirer. Signing up for night classes at [...]

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Jackson Pollock (1912 – 1956) Quotes

January 10, 2000

Excerpted from “My Painting” in Possibilities I, Winter 1947-48 (source: Johnson)
My painting does not come from the easel. I hardly ever stretch my canvas before painting. I prefer to tack the unstretched canvas to the hard wall or the floor. I need the resistance of a hard surface. On the floor I am more at [...]

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Diego Rivera (1886 – 1957) Quotes

January 10, 2000

Excerpts from his autobiography as recorded by Gladys March between 1944 and 1957 (source)
“I know now that he who hopes to be universal in his art must plant in his own soil. Great art is like a tree which grows in a particular place and has a trunk, leaves, blossoms, boughs, fruit, and roots of [...]

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Georgia O’Keeffe (1887 – 1986) Quotes

January 10, 2000

Excerpts from O’Keeffe Letters (source)
To Anita Pollitzer, 11 October 1915
“Still Anita — I don’t see why we ever think of what others think of what we do — no matter who they are — isn’t it enough just to express yourself–…”
To Anita Pollitzer, 20? October 1915
“Anita? What is Art — anyway?”
“When I think about how [...]

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Barnett Newman (1905 – 1970) Quotes

January 10, 2000

Excerpted from “The Ideographic Picture,” Betty Parsons Gallery, NY, Jan 20 – Feb 8, 1947 (source: Johnson)
“The Kwakiutl artist painting on a hide did not concern himself with the inconsequentials that made up the opulent social rivalries of the Northwest Coast Indian scene, nor did he, in the name of a higher purity, renounce the [...]

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Odd Nerdrum (1944 – ) Quotes

January 10, 2000

Editor’s note:
In the October 1999 issue of ARTnews, a multi-page advertisement published three speeches/interviews covering Norwegian painter Odd Nerdrum’s views of ‘kitsch’. The reader can draw his/her own conclusions about whether the writings reveal more about Nerdrum’s opinions or his marketing strategy. Nerdrum is an intriguing character given the continual push-pull between representational/figurative art and [...]

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Robert Motherwell (1915 – 1991) Quotes

January 10, 2000

From Painters’ Objects January 1944 (source)
“Is there, then, some difference between what we have always called abstract art, and that extreme form of it, name nonobjective art, which is a difference in kind, and not, as we have supposed, merely in degree? For painting plainly has always been a species of abstraction: the painter has [...]

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